Pittsburgh Opera presents one of the world’s most beloved operas, LA BOHÈME

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photo by David Bachman.

Pittsburgh, PA… Pittsburgh Opera continues its 75th anniversary season with one of the world’s most beloved operas, Puccini’s LA BOHÈME. On stage at the Benedum Center March 29 – April 6, this story of Bohemian friends struggling through poverty and illness in 1830s Paris is cherished for its romantic, yet tragic story, and soaring music that includes many familiar melodies. A roster of outstanding singers leads the production, anchored by a marvelous set designed by Tony Award-winner Michael Yeargan (for Light in the Piazza, 2005).

LA BOHÈME brings the role and company debut of Leah Crocetto as Mimí; the 2010 Metropolitan National Council Auditions Grand Finals winner, she has been effusively praised for her “voice of size, beauty, and agility” (Chicago Tribune) and “gorgeous, well-supported sound” (San Francisco Chronicle). Due to scheduling issues, the role of Rodolfo will be shared by David Lomelí (Lucia di Lammermoor, 2011) and Eric Barry, in a company debut. (Mr. Lomelí appears March 29, April 1 and 4; Mr. Barry appears in the April 3 Student Matinee and April 6.) Pittsburgh Opera also welcomes Troy Cook, in his company debut as Marcello; Pittsburgher Sari Gruber (Don Giovanni, 2012) returns as Musetta, bringing “comedic grace and vulnerability to the role, as well as glorious vocal talent” (Austin Chronicle). Pittsburghers in the cast also include Kevin Glavin (The Barber of Seville, 2010) in a reprise of his hilarious dual role of Benoit/Alcindoro, and Dimitrie Lazich, who debuts as Schaunard. Resident Artist Phillip Gay appears as Colline.

Music Director Antony Walker returns to conduct the Pittsburgh Opera Orchestra and Chorus. Tomer Zvulun (debut) and Helena Binder (Fidelio, 2005) are co-directors on LA BOHÈME. Resident Artist George Cederquist is assistant director.

Pittsburgh Opera’s LA BOHÈME also brings the annual Student Matinee on Thursday, April 3 at the Benedum Center. In this performance, Resident Artists take lead roles and perform with Maestro Walker and the orchestra for about 2800 school children from around the region. Jasmine Muhammad appears as Mimí and Meredith Lustig appears as Musetta, alongside Eric Barry (Rodolfo), Kevin Glavin (Benoit/Alcindoro), Phillip Gay (Colline) and Dimitrie Lazich (Schaunard) from the mainstage cast. Resident Artist George Cederquist is stage director for the Student Matinee.

Tickets to LA BOHÈME start at $12, with all performances at the Benedum Center for the Performing Arts, 7th Street and Penn Avenue, Downtown Pittsburgh. For additional information, videos, photos, musical samples, cast biographies, and the full story of LA BOHÈME, visit www.pittsburghopera.org. To purchase tickets, call 412-456-6666 or visit www.pittsburghopera.org.

Facts about the opera

LA BOHÈME was conducted at its premiere by a young Arturo Toscanini; he also conducted it 50 years later in a recording with the NBC Symphony Orchestra. It is the only recording of a Puccini opera by the original conductor.

In 1957, a missing act for LA BOHÈME was found among librettist Luigi Illica’s belongings. Between the second and third acts, Musetta’s patron Alcindoro has cut her off and moved her furnishings into the courtyard to be sold. The Bohemians throw a party in the courtyard, and Musetta introduces Mimí to a viscount there. Rodolfo
becomes jealous when Mimì dances with the man, explaining Rodolfo’s Act 3 remarks about Mimì’s flirtatiousness, and Mimì’s dismay at Rodolfo’s jealousness.

Modern interpretations of LA BOHÈME include Baz Luhrmann’s 1990 Tony Award-winning Broadway show, set in 1957; Jonathan Larson’s 1996 Broadway smash hit RENT, in which the characters deal with AIDS; and Robin Norton-Hale’s 2009 production, set in modern-day London and taking place in the very pub where the performances were given, using audience members as extras for the Café scene.

The story, in brief
In their Latin Quarter garret in Paris, the near-destitute painter Marcello and poet Rodolfo try to keep warm on Christmas Eve by burning pages from Rodolfo’s latest drama. Their roommates Colline, a philosopher, and Schaunard, a musician, bring food, fuel, and money. When the landlord Benoit comes to collect the rent, they ply him with wine, then throw him out. As his friends leave for the Café Momus, Rodolfo remains behind to write. A pretty neighbor, Mimì, knocks at the door: her candle has gone out on the stairway. Rodolfo relights it, but Mimì then realizes she has lost her key. In the confusion, both candles are blown out. As they search for the key in the dark, their hands meet. They instantly fall in love.  Expressing their joy in finding each other, Mimì and Rodolfo embrace and join Rodolfo’s friends at the Café.

Marcello’s former sweetheart Musetta makes a noisy entrance at the café on the arm of the elderly but wealthy Alcindoro. Trying to regain Marcello’s attention, she sings about her popularity. Sending Alcindoro off on an errand, she falls into Marcello’s arms and tells the waiter to charge everything to Alcindoro.

At dawn by a tavern on the snowy outskirts of Paris, Mimì searches for the place where Marcello and Musetta now live. When the painter emerges, she tells him of her distress over Rodolfo’s incessant jealousy, and says she believes it’s best that they part. When Rodolfo appears, Mimì hides, though Marcello thinks she has gone. The poet tells Marcello that he wants to separate from Mimì, citing her fickleness. Pressed for the real reason, he breaks down, saying that her illness will only grow worse in the poverty they share; he’s desperately afraid she will die. Overcome with tears, Mimì comes forward to bid her lover farewell. While Mimì and Rodolfo recall past happiness, Musetta quarrels with Marcello, who has caught her flirting. The painter and his mistress part, hurling insults at each other, but Mimì and Rodolfo decide to remain together until spring.

Later, both of them separated from their sweethearts, Rodolfo and Marcello lament their loneliness. Colline and Schaunard bring a meager meal. To lighten their spirits, the four stage a dance, when suddenly Musetta bursts in to tell them that Mimì is outside, too weak to come in. Rodolfo carries her in, while Musetta asks Marcello to sell her earrings for medicine and Colline goes off to pawn his overcoat. Left alone, Mimì and Rodolfo recall their first meeting and their happy days, but she is seized with violent coughing. The others return and Mimì drifts into unconsciousness. When Rodolfo at last realizes that she is dead, he throws himself despairingly on her body, calling her name.

Tickets to LA BOHÈME start at $12, with all performances at the Benedum Center for the Performing Arts, 7th Street and Penn Avenue, Downtown Pittsburgh. For additional information, videos, photos, musical samples, cast biographies, and the full story of LA BOHÈME, visit www.pittsburghopera.org. To purchase tickets, call 412-456-6666 or visit www.pittsburghopera.org.

The 2013-14 Pittsburgh Opera season is generously supported by PNC.
Highmark Blue Cross/Blue Shield is the production sponsor.

American Eagle Outfitters is the Friday Night Sponsor.
Larrimor’s is our 75th anniversary partner during LA BOHÈME.

 

Cast and Artistic Team (abbreviated list; cast is listed in order of vocal appearance)

Marcello                                                    Troy Cook +

Rodolfo                                                     David Lomelì (3/29; 4/1, 4/4)

Eric Barry (4/3, 4/6)

Colline                                                       Phillip Gay *

Schaunard                                                Dimitrie Lazich +

Benoit                                                       Kevin Glavin **

Parpignol                                                  Christopher Toeller

Alcindoro                                                  Kevin Glavin **

Musetta                                                     Sari Gruber

Conductor                                                 Antony Walker

Co-Directors                                             Tomer Zvulun +
Helena Binder

Set Designer                                             Michael Yeargan

Costume Designer                                   Martin Pakledinaz #

Lighting Designer                                      Andrew Ostrowski

Asst. Conductor                                        Glenn Lewis

Chorus Master                                          Mark Trawka

Associate Coach/Pianist                          James Lesniak

Hair & Makeup Designer                          James Geier

 

LA BOHÈME set is owned by Pittsburgh Opera; costumes from Seattle Opera.

+    Pittsburgh Opera debut

*     Pittsburgh Opera Resident Artist

**   Pittsburgh Opera Resident Artist alumni
#    Deceased

 

Tickets and Group Discounts

Tickets for all performances of LA BOHÈME start at $12. Group discounts are available. For tickets, call (412) 456-6666 or visit www.pittsburghopera.org. For discounted group tickets (6 or more), contact Randy Adams at 412-281-0912, x 213.


Related Events

Opera Up Close: LA BOHÈME

Sunday, March 16 – 2:00 p.m.

George R. White Opera Studio, Pittsburgh Opera Headquarters (2425 Liberty Ave.)

Opera Up Close: LA BOHÈME includes an in-depth musical analysis of the opera, with Maestro Walker and other directors and artists from the production. Admission is $5; free to members of FRIENDS of Pittsburgh Opera. For more information, call (412) 281-0912 or visit www.pittsburghopera.org.

Bohemian Rhapsody

Thursday, March 20 – 5:30 p.m.
Larrimor’s Downtown, One PNC Plaza, 249 Fifth Ave.

Pittsburgh Opera and Larrimor’s celebrate their 75th anniversaries together in this fun and fashionable event. Highlights include French-inspired cocktails and foods; palm readers, fortune-tellers, can-can dancers reminiscent of Moulin Rouge, and music from La bohème by Pittsburgh Opera’s Resident Artists. Admission is free but RSVP is required: call Katie Gaines at 412-281-0912, ext. 225 or e-mail kgaines@pittsburghopera.org. For more information, visit www.pittsburghopera.org.

 

LA BOHÈME Previews on WQED-FM 89.3 and WQED.ORG

Saturday, March 22 – 12:30 p.m.; Friday, March 28 – 7:00 p.m.

Hosted by WQED’s Stephen Baum and Anna Singer, and broadcast over the airwaves as well as the WQED website, the LA BOHÈME preview gives listeners an engaging introduction to the singers, music and story of the opera. For more information, visit www.pittsburghopera.org.

 

FRIENDS of Pittsburgh Opera South Hills Chapter event
Sunday, March 23 – 4:00 p.m.

Private Home in the South Hills

Join FRIENDS of Pittsburgh Opera for a talk entitled “From the Floor to the Flyrail: Secrets of Scenery” given by Pittsburgh Opera Head Carpenter Sean West, at the home of South Hills Chapter members. Admission is free; a donation of hors d’oeuvres or wine is welcome. RSVP by March 21 at 412-563-3808. Directions to the home will be given at RSVP. For more information, call Marilyn Egan at (412) 281-0912, ext. 242 or visit www.pittsburghopera.org.

Pre-Opera Talks

Benedum Center Main Floor

Ticketholders are invited to attend a Pre-Opera Talk on LA BOHÈME one hour before each performance’s curtain in the Orchestra Section (Main Floor) of the Benedum Center. Learn about the composer and the story of the opera. Free to all ticketholders.

 

Audio Description: LA BOHÈME
Tuesday, April 1

Benedum Center Main Floor

Ticketholders with visual impairments are invited to use Pittsburgh Opera’s Audio Commentary service at our Tuesday performances. Trained volunteers describe the scenery, costumes, and stage action via headphones. Those wishing to use Audio Description should reserve seats to the Tuesday, April 1 performance: contact Randy Adams at 412-281-0912, ext. 213 or groups@pittsburghopera.org. Braille and large-print opera programs are also available in the Benedum Grand Lobby.

 

Meet the Artists of LA BOHÈME

Tuesday, April 1

Immediately following the opera, in the Benedum Lower Lobby

Ticketholders for the Tuesday, April 1 performance of LA BOHÈME are invited to gather in the Benedum Lower Lobby immediately following the performance for interviews with General Director Christopher Hahn and the stars of the opera. This event is free to all Tuesday performance ticketholders.

KARA MIKULA – Actress, Pittsburgh CLO

The swift gavel of justice (and comedy) falls upon ‘Burgh Vivant this week with guest, actress Kara Mikula, currently portraying the title role in the world premiere of JUDGE JACKIE JUSTICE at the CLO Cabaret.  Between the laughs, Miss Mikula talks about the show’s history, her journey from Pittsburgh to New York and back, and just how Judge Jackie measures up to other TV judges you may be familiar with.  Plus – a special tribute to Bethel Bakery!  Listen to “The Full Martini” – the complete, unedited interview in audio podcast to hear more on Kara’s encounter with Judge Judy, the shocking similarity between Kara and Judge Jackie, and how an actual judge may have had a hand in her landing the role.  JUDGE JACKIE JUSTICE runs through April 27th at the CLO Cabaret, Downtown Pittsburgh. Continue reading “KARA MIKULA – Actress, Pittsburgh CLO”

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Review – A FEMININE ENDING, Off The Wall Productions

It’s A FEMININE ENDING at Off the Wall Theater, and that’s only the beginning!  Lonnie The Theater Lady reviews the comedy by Sarah Treem (who HOUSE OF CARDS fans will recognize as a writer on the series), and directed by Matt M. Morrow.  Hear Lonnie’s top 3 reasons to see the show, and listen to “The Full Martini” – the complete, unedited interview in audio podcast to hear more, including why Brian Edward hates intermissions and why he’s keeping an eye out for Ruth Buzzi and Jo Anne Worley!  Doors galores!  Let us know what YOU think. Continue reading “Review – A FEMININE ENDING, Off The Wall Productions”

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CLO Ambassadors to Hold 17th Annual Wine Tasting & Silent Auction

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Preview party at Nine on Nine kicks off upcoming fundraiser

Pittsburgh (February 27, 2014) – The Pittsburgh CLO Ambassadors hosted a Wine Tasting and Silent Auction preview party for sponsors and members of the press on February 24, at Nine on Nine in Pittsburgh.  The preview party was held to raise awareness for the Ambassadors’ 17th Annual Wine Tasting and Silent Auction, which will take place Friday, March 7, 2014, at the Duquesne Club, and will feature wines from Capital Wine & Spirits.

Event guests will have the opportunity to sample premier wines as well as bid on unique silent auction packages.  This year’s packages include a walk-on role in a Pittsburgh CLO production, tickets to local cultural and sporting events, autographed memorabilia, fabulous getaways and once-in-a-lifetime experiences.

“Since its inception, the Wine Tasting and Silent Auction has raised more than $900,000 to benefit programs including the Pittsburgh CLO Academy, the New Horizons Program, Creative Vision and the Gene Kelly Awards,” said Wine Tasting and Silent Auction Co-Chair, Lisa Woods of Burns White, LLC.  “The CLO Ambassadors are pleased to have this opportunity to support quality arts education for young people in our communities.”

“Lisa and I would like to invite and encourage everyone who recognizes the critical role the arts play in children’s lives to attend this wonderful event on March 7.  Pittsburgh CLO Education programs reach more than 50,000 students in the region every year,” added Co-Chair Stephen Bloomburg of Post & Schell.

This annual event sells out quickly.  Tickets for the Wine Tasting and Silent Auction are available at two price levels and can be purchased online at pittsburghCLO.org or by phone at 412-281-3973 ext. 234.

Individual Ticket 

Includes:

 

 

Connoisseur Ticket

Includes:

          $90

·         One ticket to the event

·         Commemorative wine glass

 

$150

·         One ticket to the event

·         Three raffle tickets

·         Listing in the event program

·         Commemorative wine glass

Raffle tickets are also being sold in conjunction with the event. The winner of the Grand Prize will receive a trip for two to Paris which includes a Luxury hotel stay of two nights with breakfast in a Luxury Apartment courtesy of La Réserve Trocadéro Paris, roundtrip airfare on Delta Air Lines and travel planning services courtesy of Travel Leaders/Travel in Luxury. Second Prize is a $1,000 gift certificate courtesy of Henne Jewelers and Third Prize is dinner for two courtesy of Six Penn Kitchen and two tickets to Monty Python’s Spamalot courtesy of Pittsburgh CLO.

Raffle tickets are available for $20 each or 5 for $50 and can be purchased in advance or at the event.  The winner need not be present.

This year’s Connoisseur Sponsors are PNC Financial Services, RR Donnelley and Capital Wine & Spirits.  The Chateau Sponsors are Burns White, Federated Investors, First National Bank, K&L Gates, Mine Safety Appliances Company, Reed Smith, LLP and UPMC. The Corporate Sponsors are Chubb Group of Insurance Companies, Dollar Bank, Post & Schell and Schneider Downs & Co. The Supporting Sponsors are Jim & Kristin Brennan, Dawood Engineering, Nick & Anne Liparulo, Peace Dental, and Swank Construction Company LLC.

Pittsburgh Musical Theater’s Richard E. Rauh Conservatory announces IN THE HEIGHTS

 

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This spring, Pittsburgh Musical Theater’s Richard E. Rauh Conservatory will present the award-winning musical IN THE HEIGHTS.

IN THE HEIGHTS tells the universal story of a vibrant community in New York’s Washington Heights neighborhood – a place where the coffee from the corner bodega is light and sweet, the windows are always open and the breeze carries the rhythm of three generations of music. It’s a community on the brink of change, full of hopes, dreams and pressures, where the biggest struggles can be deciding which traditions you take with you, and which ones you leave behind. IN THE HEIGHTS is the winner of the 2008 Tony Awards for Best Musical, Best Score, Best Choreography and Best Orchestrations.  This student production will bring out all hopes and dreams of this amazing story. This is one you don’t want to miss!

 Performance Dates:  MARCH 6-9TH  GARGARO THEATER, 327 SOUTH MAIN STREET, PITTSBURGH, PA 15220.

Tickets begin at just $10 individual performance tickets are available by calling (412) 539-0900 X232.  More information is available by visiting www.pittsburghmusicals.com <http://www.pittsburghmusicals.com>.

About Pittsburgh Musical Theater

Pittsburgh Musical Theater (PMT) was founded in 1990 with the vision of creating a regional musical theater company committed to quality productions of the best of Pittsburgh’s own professional talent at a price affordable to all residents, especially children and families.  As a non-profit 501(c)(3) performing arts organization, the mission expanded to include a strong commitment to education, training, and outreach programs through its Richard E. Rauh Conservatory for Musical Theater.  General music education and appreciation programs are offered for student’s ages 4-18.  The Pre-College Program, a highly structured, accredited program, is designed for high school students with serious aspirations for careers in the performing arts.

WATCH/LISTEN:  ‘Burgh Vivant’s interview with Pittsburgh Musical Theater General Manager and Conservatory Director, Colleen Petrucci.

Prime Stage Theatre Brings a “Trivial Comedy” to the Stage

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The Importance of being Earnest hits the Stage at The New Hazlett Theater                                                                     

PITTSBURGH – Prime Stage Theatre enjoys continuing its 2013-2014 season with The Importance of being Earnest by Oscar Wilde.

Directed by Rich Keitel, Earnest is “a trivial comedy for serious people” filled with actors who have successfully entertained audiences on many Pittsburgh stages. Two young men, played by Tom Driscoll and Andrew Swackhammer, in order to impress their two young ladies, played by Hayley Nielsen and Magan Dee Yanko, pretend that their names are “Ernest.” But who is Earnest? Will the secret that has been hidden for years finally be revealed? Will Lady Bracknell, played by Susan McGregor-Laine, keep order amidst this confusion?

The elaborate set designs and period costumes are sure to dazzle and the dialogue and antics of the characters will keep the audience laughing from start to finish.

The performance runs from Saturday, March 8 through Sunday, March 16 at The New Hazlett Theater, with a preview performance on Friday, March 7.

Join us on March 8 for opening night’s “Go Wild with Wilde” event.  Dress up in your best Oscar Wilde inspired outfit, wear a carnation in your lapel, or simply wear a fun hat.  Refreshments will be served.

Tickets are on sale now.

For more information on the season or to buy tickets, visit www.primestage.com.

‘A bloody good time’ – Pittsburgh Playhouse Conservatory Company’s BLOODY BLOODY ANDREW JACKSON

Jackson-web-4 Jackson-web-7 Jackson-web-12 AndrewJackson
production photos by Jeff Swensen.

Don’t know much about history? Alex Timbers and Michael Friedman give those dull, old American History books a Spring Awakening, adding sass and verve to those dry, dusty tomes. The result is “Bloody BloodyAndrew Jackson” a rock musical about Old Hickory, America’s seventh president, Andrew Jackson. Most people know Jackson from the twenty dollar bill, but the president has a sordid and blood-soaked biography, rife for theatrical adaptation. A musical might not be the first choice for a drama, but it’s a damn good one. This is a rock comic odyssey with the highest body count of any comedy that has ever gone before.

The musical alleges that Jackson puts the party in Democratic Party, putting the ass front in center as the party’s symbol. It’s a fractured fairy tale of an American president, peppered with some historical facts and pithy bon mots. Republicans and Democrats are equally skewered, and the show heaps on a large portion of liberal guilt. The near-genocide of the 500 Nations of Native Americans rests squarely on the broad shoulders of the seventh president (re: the Trail of Tears).

The story, hilariously narrated by the Storyteller (Caitlin Bower), starts off with Jackson’s rough and tumble upbringing as a frontiersman in the wilds of Tennessee, back before there was a 711 on every corner. Jackson endures a horrific series of deaths and strikes out on his own at the ripe old age of thirteen. He quickly rises through the ranks of the army. Famous battles flash by as if we’re watching Andrew Jackson’s E True Hollywood story. We hit all the high points, his famous battles, the introduction of Rachel Donelson Robards (a terrific Brittany Dorazio), his soon-to-be-wife, the adoption of his Native American child, Lyncoya (Dom Masciola), etc. The first act culminates in Jackson’s victory lap around the White House.

The show makes comical uses of anachronisms, and there’s a plethora of them. They even take a few swipes at the iPad, literally and figuratively.

“Bloody Bloody Andrew Jackson” is energetic and fun. The show is not for sticklers of the finer points of American History. It’s also not for prudes (those guys and gals swear like sailors on shore leave).

Reed Worth plays Andrew Jackson with rock star swagger. He captures the arrogance, the egotism and rare moments of vulnerability. There is a lot of action in this Jackson, and Worth plays it big and enthusiastically.

Michael Montgomery’s costumes are less than historically accurate, but wildly original and exciting. But it’s mostly about those tight blue jeans, daringly worn by Worth and the other the men and women in the cast.

There were some great turns by Martin Van Buren (Conner Gillooly) John Quincy Adams (Patrick Steven Bovo), Henry Clay (Luke Halferty), James Monroe (Wood Van Meter) and John Calhoun (Joe Godley), and a poignant moment with Black Fox (Tal Kroser).

The show has a fantastic ensemble of actors, singers and musicians and director Michael McKelvey garners some top-notch performances out of them. He and choreographer/assistant director Cassidy Adkins keep things (and the cast) moving. Luke Minx, John Rohlf, Kristen Hoover and the rest of the band rock the house.

If you’re looking for a show about sex, democracy and rock & roll (and who isn’t?) catch “Bloody Bloody Andrew Jackson.” It’s a bloody, bloody good time.

You can see the cock-eyed version of history unfold at the Conservatory Theater Company’s production of “Bloody Bloody Andrew Jackson” at the Rockwell Theatre, inside the Pittsburgh Playhouse, 222 Craft Avenue, Pittsburgh, PA 15213.

-MB

Mike Buzzelli

Pittsburgh Playwrights’ THE GREAT ONE spotlights family, friendship, redemption

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The Great One is a fascinating and inspirational play that will be at the Pittsburgh Playwrights Theatre, 937 Liberty Avenue, 3rd floor, downtown from Friday, February 21 through Saturday, March 15.

Written by Russ Babines, The Great One is directed by Don DiGiulio.

Tressa Glover stars in this exciting one woman show about a sports commentator who returns to her hometown of Pittsburgh to mourn a childhood friend. She reminisces about the period of her life between the Pirates’ 1971 World Series win and the New Year’s Eve 1972 death of admired Pirates right fielder Roberto Clemente.

This is an unforgettable tale of not only America’s pastime, but also family, friendship, and redemption!

Babines wrote the screenplay because he felt it “would have broad appeal due to its family friendly nature and nostalgic elements which includes references to Roberto Clemente and the Pittsburgh Pirates.”

Now he’s rewritten The Great One for the stage – making this his debut as a playwright, saying it’s “another way to tell a story that is very relatable, especially to a Pittsburgh audience.”

Complete listing of show times –

  • Friday, February 21 “Opening Night” at 8:00 p.m.
  • Saturday, February 22 at 8:00 p.m.
  • Sunday, February 23 at 3:00 p.m.
  • Thursday, February 27 at 8:00 p.m.
  • Friday, February 28 at 8:00 p.m.
  • Saturday, March 1, at 8:00 p.m.
  • Sunday, March 2 at 3:00 p.m.
  • Thursday, March 6 at 8:00 p.m.
  • Friday, March 7 at 8:00 p.m.
  • Saturday, March 8 at 8:00 p.m.
  • Sunday, March 9 at 3:00 p.m.
  • Thursday, March 13 at 8:00 p.m.
  • Friday, March 14 at 8:00 p.m.
  • Saturday, March 15 at 8:00 p.m.

All tickets are $21. Seating is General Admission.  Tickets may be purchased at the door or online at http://www.pghplaywrights.com/greatone. For group rates call 412-687-4686.

Pittsburgh Playwrights Theatre Company, founded by Mark Clayton Southers, is committed to developing and showcasing the works of local playwrights; from accomplished masters like August Wilson and George S. Kaufman to promising new talents. We seek to nurture a racially and culturally diverse community of playwrights, directors, actors and technical specialists to hone their craft and to network creative opportunities.

“Undie Rock” – The Skivvies perform at City Theater

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By ‘Burgh Vivant, Mike Buzzelli

Clothes might make the man, but clothes don’t make the band. This weekend, award-winning performers Lauren Molina (Sweeney Todd, Marry Me a Little) and Nick Cearley (All Shook Up) are in town to play instruments in their underwear in “The Skivvies” at the Lester Hamburg Theater, inside City Theater.

If you’re not careful, Cearley will show you his glockenspiel. The duo plays a variety of instruments. Cearley plays the aforementioned glockenspiel, the ukulele and the melodica, a blow organ (easy, now!). Molina plays the ukulele and the cello. Both do it with style and skill.

Skivvies

Mike Buzzelli, Lauren Molina, Nick Cearley, and Lonnie The Theatre Lady.

 

The plucky duo, a scantily clad “Will and Grace,” perform mash-ups of popular songs of several eras. Imagine your radio stuck on scan, but all performed with Molina and Cearley’s masterful, mellifluous voices. The musicians are accompanied by Shannon Ford on drums, beating on them with flair.  

A few local guests sat in with the immodestly attired Molina and nearly naked Cearley.  At Thursday’s performance Burgh Vivant caught Michael Campayno (Rolf from the recently televised “Sound of Music”), Hayley Nielsen (in Primestage’s upcoming “The Importance of Being Earnest”) and Bria Walker (last seen at the City Theater in “Pop”). All of them made brief appearances in their briefs. Other guests Courtney Balan, Joshua Elijah Reese, Hannah Shankman and Nancy Anderson will join the show for select performances (consult the website, if you want to gawk at a particular member of that group).

Neilsen was the first guest, playing a boozy medley of songs. Molina remarked, “There’s a lot of songs about alcohol.” In a few minutes, Neilsen and the Skivvies managed to mention almost all of them.

Walker strut her stuff, commanding the stage with a mash-up of dance songs. For the record, she brought it. The girl can sing! Emphasis on the exclamation point.

Campayno joined the undie rock show with a witty rendition of “Call me, Maybe,” serenading Cearley, while Molina fumed with jealousy (tongue planted firmly in cheek).

With their talent, your head will say “They don’t need the gimmick,” but other parts of your body will shout, “Everyone should perform this way!”

You still have three more chances to catch “The Skivvies,” Friday and Saturday at 8:00 pm with a special 10:30 performance on Saturday at the City Theater, 1300 Bingham Street, Pittsburgh from February 13, 2014 – February 15, 2014

For more information call or click: 412-431-2489 or www.citytheatrecompany.org

‘Burgh Vivant presents an Evening with Judy Knaiz

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Pittsburgh, PA  – On Sunday, March 16th, ’Burgh Vivant will host a live, on-stage interview with actress and Pittsburgh native Judy Knaiz, who is perhaps best known for her role as Gussie Granger (aka Ernestina Simple) in the 1969 film musical Hello Dolly, directed by Gene Kelly, starring Barbara Streisand, Walter Matthau, Tommy Tune, and Michael Crawford.  ’Burgh Vivant host Brian Edward will discuss with Ms. Kaniz topics including her career in film, stage, and television, working with such notables as Kelly and Streisand, the making of Hello Dolly, and her perspectives on Pittsburgh.  Ms. Knaiz will also answer selected questions from fans.

The event is a homecoming of sorts for Knaiz, who began her career performing in musical comedies at the Pittsburgh Playhouse, now operated by Point Park University, whose George R. White Theatre will host the March 16th interview and Hello Dolly film screening.

This special edition of ’Burgh Vivant will begin at 4:00pm on Sunday, March 16th in the George R. White Theatre of Point Park University, 414 Wood St., Pittsburgh PA, followed immediately by a screening of Ms. Knaiz’s 1969 film Hello Dolly.  Light refreshments will be provided.  The event is free and open to the public.  Reservations are encouraged.  RSVP to its@burghvivant.org.  Interview questions for Ms. Knaiz may be submitted by Friday, March 14th via email to its@burghvivant.org.  This event is produced in cooperation with The John P. Harris Society of Point Park University.

’Burgh Vivant is an online talk magazine dedicated to examining Pittsburgh’s unique arts and culture community through candid interviews with local artists, performers, entrepreneurs, and newsmakers.  ’Burgh Vivant hosts a featured guest weekly, supplemented with reviews and features in the categories of Art, Culture, Dance, Film, Food, Music, Style, and Theatre.  Viewers may subscribe for free at www.burghvivant.org and follow on Twitter and Facebook.

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