An Unexpected Delight – A review of “Pride and Prejudice”

By Lonnie the Theater Lady

• The first indication that Kate Hamill’s ridiculously funny adaptation of “Pride and Prejudice” is unlike any other is quickly revealed in the first scene. Several couples, beautifully costumed in 19th-century attire (Declan Hines, designer), are dancing formally to classical music when the music abruptly shifts to rhythmic pop, and their dance steps become sexy, freestyle, and very informal. This scene accurately foreshadows the surprising scenes that follow.
• The plot, characters, and themes closely mirror the original novel. Original themes, such as the importance of social status and reputation and the view that marriage is for financial security, are woven throughout this adaptation. The satirical treatment of these themes is a shocker at first, but it then leaves the audience happily anticipating the next screwball scene. One wacky scene follows the other.
• In England, the estate, run by Mr. Bennet (Luke Hancock), can only be passed on to a male heir. He has no sons, which makes it imperative that at least one of his daughters marry a wealthy man so the estate can remain in the family. The amusing, sarcastic, droll delivery of his lines earns him well-deserved laughs and serves as the consummate counter to his wife’s lunacy.

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• Mrs. Bennet (Elena Fagione) is excessively obsequious, fussing over and pandering to her daughter’s prospective husbands. She cares only about the men’s social standing and finances. To call her behavior “out of control” would be a gross understatement. She’s a shouting ball of frenetic energy as she theatrically throws herself dramatically onto the sofa–upside down! So hilarious.
• The rest of the story chronicles the daughters meeting, getting to know, and choosing their suitors.
• Lyle Hieronymus plays one of the suitors, Mr. Darcy, with a dashing flair. They skillfully convey their character’s pride and, later, their confusion. Hieronymus a likable, engaging Mr. Darcy.
• Audrey Klein’s Lizzy convincingly embodies a feminist who is ahead of her time and initially rejects the idea of ever marrying. Her genuine portrayal radiates her agonizing uncertainty regarding her feelings for Mr. Darcy. Her every emotion is clearly and naturally telegraphed. Well done.
• Samantha Hawk dives fully into her role as Mary, the goth (or maybe emo) sister. Her black raccoon makeup circled eyes, and her detached, deadpan expression were wildly comical. If she’s not coughing or scratching herself, she’s startling others by stealthily approaching them from behind. She rightfully garners a boatload of laughs.
• Carina Ianarelli is well cast as the lovable Jane. She exemplifies the beautiful, romantic, almost-perfect daughter, with sweetness and sincerity.
• Kieran Craft is an adorable Mr. Bingley—anxious to please with the energy of a frisky, devoted puppy.
• Asriel Barnabei plays Mr. Collins well. He often struggles to find the precise word to express himself clearly. His theatrics when speaking of Lady Catherine de Bourgh are memorable and only get more   amusing every time he says her name.
• Everyone in the large cast leans headlong into the over-the-top crazy elements of their characters. This very strong cast has no weak links.
• Director Nicole Zalak does a great job keeping up the rapid pace with smooth transitions between scenes. Kudos to her for giving her cast the freedom to embrace the ludicrous chaos.
• Note: There is a moment worth mentioning. The theater is transformed into an expansive, beautiful garden when huge projections adorn the auditorium’s ceiling and walls. It is a lovely effect.
• If you’re a Jane Austen fan or even if you’re not, you’re bound to be delighted by this madcap, offbeat, outlandish show.  It’s as if  Monty Python and Jane Austen collaborated to write and produce this play!
• LtTL
• Runs through May 17 at The Heritage Players. For more information and tickets, click here.