'Burgh Vivant

January 8, 2014

Phipps Orchid and Tropical Bonsai Show Offers Cure for the Winter Blues

Premier Pittsburgh public garden provides perfect cold weather escape.

Pittsburgh, Pa.—Opening on Jan. 18, the annual Orchid and Tropical Bonsai Show at Phipps Conservatory and Botanical Gardens will provide a welcome escape from the cold, chasing away the winter blues with a healthy dose of color, inspiration and beauty. Featuring elegant orchids planted in garden beds and hanging baskets, and offering a chance to view the public garden’s permanent collection of tropical bonsai, this treat-of-a-show is not to be missed.

Celebrated for their stunning appearance and delightful diversity (more than 25,000 species exist around the globe), orchids are truly special. The Orchid and Tropical Bonsai Show features hundreds of these beloved flowers, and the Barbara Tisherman Slipper Orchid collection, curated in collaboration with the Orchid Society of Western Pennsylvania to be one of the world’s definitive slipper orchid resources, will also be on display for guests to explore and enjoy.

Offering a striking contrast, Phipps’ tropical bonsai — dwarfed trees trained to take on the shapes of their larger counterparts in nature — will also be showcased in many forms, from the iconic formal upright bonsai to the more dramatic slant bonsai that resemble windswept trees. Said to give those who practice the art a sense of well-being, this time-honored Japanese tradition classifies specimens by size and style based upon the shapes of their trunks, roots and branches.

For anyone looking to start their own orchid and bonsai collections at home, public programs, held free with paid admission throughout the duration of the show, will also be held on select Saturdays and Sundays at 1:30 p.m. in the Tropical Forest Conservatory. Additionally, bonsai classes on a variety of topics for all skill levels are available through Phipps’ adult education program throughout the year.

Orchid and Tropical Bonsai Show, designed by Phipps staff, runs from Jan. 18 – March 9 and is open daily from 9:30 a.m.-5 p.m. and until 10 p.m. on Fridays. Admission is $15 for adults, $14 for seniors and students, and $11 for children (ages two-18). Members and kids under two enter for free.

About Phipps: Founded in 1893, Phipps Conservatory and Botanical Gardens in Pittsburgh, Pa. is a green leader among public gardens with a mission to inspire and educate all with the beauty and importance of plants; to advance sustainability and promote human and environmental well-being through action and research; and to celebrate its historic glasshouse. Learn more: phipps.conservatory.org.

January 7, 2014January 7, 2014

Pittsburgh Opera presents Nico Muhly’s DARK SISTERS

Photo above by Kelly & Massa for Opera Philadelphia.

Pittsburgh, PA… Pittsburgh Opera continues its 75th anniversary season with Nico Muhly’s DARK SISTERS, a new production of a very new opera exploring issues ripped from the headlines and created by a thirty-something composer. The first work in Pittsburgh Opera’s American Opera Series,* DARK SISTERS stars the Resident Artists and is on stage at CAPA Theater January 25 – February 2.

Exploring issues of suppressed individuality and subservient women’s roles, the opera uses episodes from the media – most recently the 2004 raid on FLDS leader Warren Jeffs’s compound in West Texas – to tell the story of the women’s suffering, and how one woman tries to escape. Premiered in 2012, DARK SISTERS revolves around sister-wife Eliza, who has a profound self-discovery after the world comes to the gates of her family’s complex, run by The Prophet. During an appearance on national television to defend her way of life, Eliza makes a dramatic confession, and her world falls into chaos. Resolving to make her own way in the world, she faces the consequences of leaving everything she has ever known.

Pittsburgh Opera’s DARK SISTERS features Resident Artists in the roles of the sister-wives: Jasmine Muhammad is the rebellious Eliza; Meredith Lustig is the lovesick Zina; Nicole Rodin is the troubled Ruth; Samantha Korbey is Presendia; and former Resident Artist Alexandra Loutsion (Rinaldo, 2011) is Almera. Resident Artist Joseph Barron takes the dual role of The Prophet and the newscaster King. Rebecca Belczyk (The Magic Flute, 2013) portrays Eliza’s daughter Lucinda. Resident Artist George Cederquist is the stage director for DARK SISTERS. Head of Music Glenn Lewis conducts the Pittsburgh Opera Orchestra. Composer Nico Muhly is expected to attend the opening night performance.

* Pittsburgh Opera’s American Opera Series is supported by a grant from the National Endowment for the Arts, and includes DARK SISTERS, PAUL’S CASE (Feb. 22 – Mar. 2) and ORPHÉE (Apr. 26 – May 4).

Facts about the opera and the composer

DARK SISTERS premiered in 2012 at Gotham Chamber Opera in New York City, and was co-produced and co-commissioned by Opera Philadelphia.

Nico Muhly, a 32 year-old “wunderkind” (Huffington Post) who defies convention and definitions, has worked with Philip Glass, Björk, Benjamin Millepied, and Grizzly Bear. He was recently featured on the cover of Opera News, in advance of the premiere of his Two Boys at The Met. Mr. Muhly composes film scores (The Reader, Joshua, Choking Man), liturgical music (an Our Father, a Nunc Dimittis, a setting of Psalm 139), and scored the ballet From Here on Out with Millepied for American Ballet Theater. Most recently, he appeared at New York City’s Le Poisson Rouge with violinist Pekka Kuuisto; the featured piece was a Bach Partita with other pieces interspersed between the original piece’s movements.

In October 2013, Mr. Muhly’s opera Two Boys premiered at The Metropolitan Opera, with former Pittsburgh Opera Resident Artist Juan José de León in the cast. The opera revolves around a detective investigating a murder of a teenager that leads her to a trail of clues on the Internet.

Nico Muhly has been researching the history of the Church of Latter Day Saints for many years. “I read the diaries of some of the wives of Brigham Young; you think you could be reading something from the Old Testament or from today. Similarly, once you get in the world of what constitutes marriage, it was always political, and about property, land. Marriage for love was a Victorian construct.”

Nico Muhly has been quoted as saying that “I can’t think of one opera that isn’t political in some way. When you look at Rameau, Handel, Mozart, they were all looking at the world around them socially and politically. [Mozart’s] Cosi fan tutte is an incredibly political opera. Right now there is a flare-up of interest about Mormonism, but the politics and discussions around it aren’t new.”

The story, in brief
At a polygamist compound in the American Southwest, five mothers cry out in despair. State officials have just raided their homes and removed their children, under the suspicion that minors are being abused and forced to marry. The husband of the five women, a professed Prophet, discloses that he has received a revelation. He must journey into the desert, where he will receive guidance that will ensure the return of their children. The Prophet instructs his wives to “keep sweet” while he is away, explaining that total obedience is necessary to ensure their salvation and the safe return of their children.

Eliza, the fourth wife, has visions of her only child, Lucinda. She remembers her wedding: she was 16, afraid, an unwilling bride. Eliza does not want her daughter to suffer the same fate, but cannot imagine how they could ever leave this life. As night slowly turns to day, Eliza passes the time with her sister-wives. Almera is haunted by dreams of her mother and grandmother, while Presendia and Zina work diligently to pass the time, longing for their husband’s return. Ruth is tormented by mental illness and the memory of her two sons, both of whom died tragically.

Ruth discovers a letter in the Prophet’s study and gives it to Eliza: the letter voices Lucinda’s concerns about being promised to a much older man. Eliza is shocked to learn that her daughter would be promised so soon, and resolves to leave the compound. The Prophet returns, and Eliza convinces him to spend the night with her. She needs his full trust so that she can travel with him the next day and enact a plan to share her own message with the world. Alone in their bedrooms, the other women seethe with jealousy, sadness and longing.

The next day, television personality King interviews the women via satellite. The women are careful to stay on message. Afraid and distraught, Ruth suffers a breakdown during the interview. Although paralyzed with fear, the women continue with the show.

Eliza, afraid that she may not have the courage to speak out, suddenly explodes with the announcement that she was indeed married underage. She also seizes the opportunity to speak to her daughter – she looks into the camera and begs Lucinda to have faith, and to relays her own divine message: “Don’t be afraid of what lies beyond the sharp cliffs, the red earth – blaze a trail beyond the canyons! This is my hope for you, Sisters of Zion! I promise you, kind hearts beat for all of us in the outside world!”

Chaos erupts. Eliza’s sister-wives cannot believe she would betray them. Later that night, Ruth sits atop the mesa near the compound, under a starlit sky. Praying for relief from her pain, and longing to be with her two children in heaven, she jumps to her death.

Back at the compound, a few days later, Ruth is buried. The children have been returned to the ranch. Eliza comes to the gate of the compound and is shunned by the other women. Lucinda approaches her mother, furious – she is sickened that Eliza lost her faith and will not gain eternal salvation. Lucinda refuses to leave with her mother. Eliza pledges that she will always be waiting for Lucinda, and will always love her. Heartbroken, she walks away from the compound and into the unknown.

Tickets to DARK SISTERS are $50, with all performances at CAPA Theater, 9th Street and Ft. Duquesne Blvd., Downtown Pittsburgh. For additional information, videos, photos, musical samples, cast biographies, and the full story of DARK SISTERS, visit www.pittsburghopera.org. To purchase tickets, call 412-456-6666 or visit www.pittsburghopera.org.
The 2013-14 Pittsburgh Opera season is generously supported by PNC.
American Eagle Outfitters is the Friday Night Sponsor.
Dark Sisters is generously sponsored by Mr. and Mrs. Alvin Filstrup.
The National Endowment for the Arts provides project support for Pittsburgh Opera’s 2014 American Opera Series.

Giant Eagle Foundation is the Resident Artist Program Sponsor.

WQED is a media sponsor for the 2013-14 Pittsburgh Opera season.
WYEP and WESA are media sponsors for Dark Sisters.

Cast and Artistic Team (cast is listed in order of vocal appearance)

Zina Meredith Lustig *

Presendia Samantha Korbey *

Almera Alexandra Loutsion **

Ruth Nicole Rodin *

Eliza Jasmine Muhammad *

Prophet/King Joseph Barron *

Lucinda Rebecca Belczyk

Conductor Glenn Lewis

Director George Cederquist *

Set Designer Dan Daly

Costume Designer Antonia West

Lighting Designer Robert Figueira
Director of Musical Studies Mark Trawka

Associate Coach/Pianist James Lesniak

Hair & Makeup Designer James Geier

DARK SISTERS is a new production by Pittsburgh Opera.
+ Pittsburgh Opera debut

* Pittsburgh Opera Resident Artist

** Pittsburgh Opera Resident Artist alumni

Tickets and Group Discounts

Tickets for all performances of DARK SISTERS are $50. Group and subscriber discounts are available. For tickets, call (412) 456-6666 or visit www.pittsburghopera.org. For discounted group tickets (6 or more), contact Randy Adams at 412-281-0912, x 213.

Related Events

Brown Bag Concert
Saturday, January 11 – 12:00 p.m.

George R. White Opera Studio, Pittsburgh Opera Headquarters (2425 Liberty Avenue)

These casual, one-hour concerts feature our Resident Artists in the George R. White Opera Studio at Pittsburgh Opera Headquarters. January’s Brown Bag concert features an All-American program. Guests can meet the performers after the concert. Free and open to the public; no RSVP required. Doors open at 11:30 a.m. For more information, call (412) 281-0912 or visit www.pittsburghopera.org

Opera Up Close: DARK SISTERS

Sunday, January 12 – 2:00 p.m.

An in-depth look at the music and story of Nico Muhly’s DARK SISTERS with singers and directors from the production, in the George R. White Opera Studio at Pittsburgh Opera Headquarters. Panelists include Resident Artist Jasmine Muhammad; stage director, Resident Artist George Cederquist; conductor Glenn Lewis; and Director of Artistic Operations Bill Powers. Admission is $5; the event is free to members of FRIENDS of Pittsburgh Opera and donors at $50 and above. For more information, visit www.pittsburghopera.org.

DARK SISTERS Previews on WQED-FM 89.3 and WQED.ORG

Saturday, January 18 – 1:00 p.m.; Friday, January 24 – 7:00 p.m.

Hosted by WQED’s Stephen Baum, and broadcast over the airwaves as well as the WQED website, the DARK SISTERS preview gives listeners an engaging introduction to the singers, music and story of the opera. For more information, visit www.pittsburghopera.org.

Pre-Opera Talks

CAPA Theater Black Box

Ticketholders are invited to attend a Pre-Opera Talk on DARK SISTERS one hour before each performance’s curtain in the Black Box at CAPA Theater. Learn about the composer and the story of the opera. Free to all ticketholders.

Audio Description: DARK SISTERS
Tuesday, January 28

Ticketholders with visual impairments are invited to use Pittsburgh Opera’s Audio Description service at our Tuesday performances. Trained volunteers describe the scenery, costumes, and stage action via headphones. Those wishing to use Audio Description should reserve seats to the Tuesday, January 28 performance: call Randy Adams at 412-281-0912, ext. 213 or groups@pittsburghopera.org. Braille and large-print opera programs are also available in the lobby.

Meet the Artists of DARK SISTERS

Tuesday, January 28

Immediately following the opera, in the CAPA Theater Black Box

Ticketholders for the Tuesday, January 28 performance of DARK SISTERS are invited to gather in the Black Box immediately following the performance for interviews with General Director Christopher Hahn and the stars of the opera. This event is free to all Tuesday performance ticketholders.

January 6, 2014

Pittsburgh Ballet Theatre Presents “Swan Lake” Valentine’s Day Weekend at the Benedum Center

PITTSBURGH, PA – Ranked among the most iconic classical ballets of all time, Pittsburgh Ballet Theatre presents the mesmerizing love story of “Swan Lake” with the Pittsburgh Ballet Theatre Orchestra over Valentine’s Day weekend, Feb. 13-16, at the Benedum Center.

“Swan Lake” symbolizes more than 100 years of tradition and some of the most revered roles in classical ballet. In a performance of emotional intensity and technical mastery, the ballerina portrays both eternal love and deception in the coveted dual role of the Swan Queen, Odette, and her dark twin, Odile. Since its 1877 premiere at the Bolshoi Theatre in Moscow, ballet companies all over the world have developed their own interpretations of the traditionally four-act ballet and its dramatic ending. PBT’s version of “Swan Lake” is staged by Artistic Director Terrence S. Orr after original choreography by Marius Petipa and Lev Ivanov. The ballet is set to one of Tchaikovsky’s most memorable masterworks – and his first original ballet composition – featuring the evocative Swan theme.

WATCH/LISTEN: ‘Burgh Vivant interview with Pittsburgh Ballet Theatre Artistic Director, Terrence S. Orr

“Swan Lake” tells the story of a young village girl trapped in a curse by the evil sorcerer Von Rothbart. Bound by day as the Queen of the Swans, she returns to her human form only after nightfall, when she first encounters Prince Siegfried near the enchanted lake during a hunting expedition. Prince Siegfried soon falls in love with the beautiful Odette, but can only set her free by pledging his eternal love and fidelity. In order to thwart the lovers, Von Rothbart transforms his daughter Odile into the dark double of Odette to deceive Prince Siegfried at the royal ball. Performed by the same dancer, the character of Odette/Odile demands great technical and emotional range to morph from the pureness and fragility of Odette to the darkness and deception of Odile.

Ranging from the ornamentation of the court to the lyricism of the Swan scenes, the choreography of “Swan Lake” especially showcases the technical prowess of the ballerina through virtuosity of the Swan Queen, the intricate variations of the Cygnets and the lyrical unification of the corps de ballet. “Swan Lake” features its own signature movement vocabulary, such as the undulating port de bras of the White Swan and the Black Swan’s famous 32 fouettés – consecutive quick turns considered to be one of the highest feats of virtuosity, stamina and strength demanded of a ballerina. The expressive choreography of the Swan Scenes sets one of ballet’s highest standards for the corps de ballet, which moves as one entity with lyrical movements that create images of a swan’s wings, necks and mannerisms.

Danced in four acts, “Swan Lake” alternates between the lavish scenery of The Great Palace and the moonlit Swan Scenes near the enchanted lake. The costumes also vary from the elaborate robes and gowns of the courtesans to the ethereal aura of the swans, which are set apart with pure white, feather-trimmed classical tutus. Created after designs by Peter Farmer, PBT’s “Swan Lake” costumes were built in the PBT Costume Shop under the direction of Costumier Janet Groom Campbell, who celebrates her 40^th anniversary with PBT this season.

Tickets start at $25.75, and can be purchased online at www.pbt.org, by calling 412-456-6666 or visiting the Box Office at Theater Square.

January 6, 2014

World-Renowned Brewmaster Garrett Oliver to Headline First-Ever Pittsburgh Brew ’N Chew

PITTSBURGH, Pa., November 14, 2013 – GoodTaste! Pittsburgh is excited to announce that legendary Brooklyn Brewery brewmaster, Garrett Oliver will be headlining the first-ever Pittsburgh Brew ‘N Chew on January 11, 2014, at the Monroeville Convention Center. One of the foremost authorities in the world on the subject of beer, Oliver will bring his more than 20 years of experience to the event to discuss how to create the perfect pair when matching food with beer.

“When it comes to brewing, I’m not sure it gets any bigger than Garrett Oliver,” said Dee Weinberg, president, GoodTaste! Pittsburgh. “Not only is he one of the most recognizable figures in the industry, he is also one of the best when it comes to pairing beer with food. It’s simply a match made in heaven for the Brew ‘N Chew and we couldn’t be more excited to have him at this year’s event.”

Oliver is entering his 20^th year as brewmaster at the Brooklyn Brewery. Since joining the Brewery in 1994, he’s been creating unique and delicious brews and hauling in awards both domestically and abroad. He is widely known for his flavorful interpretations of traditional brewing styles and as an avid and entertaining lecturer and writer on the subject of beer, penning “The Brewmaster’s Table” and serving as Editor-in-Chief of “The Oxford Companion To Beer”.

But Oliver is more than just the mastermind behind the bottle; he’s also an expert when it comes to pairing beer with food. In fact, he’s hosted more than 800 beer tastings, dinners and cooking demonstrations in fourteen countries and is internationally recognized as an expert on traditional beer styles and their affinity with good food. To add to his impressive resume, he is also a frequent contributor to beer and food-related periodicals.

To learn more about the inaugural Brew ‘N Chew event, purchase tickets or inquire about participating as a sponsor or vendor, please visit www.goodtastepittsburgh.com.

About GoodTaste! Pittsburgh

GoodTaste! Pittsburgh is Western Pennsylvania’s largest food and cooking extravaganza, dishing up events that showcase food and spirits as an entertaining, exciting and engaging experience. Our plate is full with large one-day shows that feature national and local chefs; corporate events for clients and employees; food events and shows with stellar regional partners like the Heinz History Center; and workshops for foodies.

January 6, 2014August 12, 2019

The Buzz from Buzzelli – This Weekend’s Top To-Do’s (1/9 -1/12)

There’s always a lot do in Pittsburgh. Every week we pick five fun things for your weekend. Here’s the list for January 9 – 12

Soussside n’ nat

Tami Dixon returns to the Southside for “South Side Stories,” her one-woman show where she inhabits the lives and stories of some of the residents in Pittsburgh’s busiest, booziest section. Yinz should come dahn to the City Theater n’nat.

South Side Stories are on the South Side at the City Theatre 1300 Bingham Street, Pittsburgh through Jan. 26.

Call 412-431-2489 or visit them at www.citytheatrecompany.org

A Tell Tale Heart

Dixon isn’t the only one-person show in town. David Crawford is Edgar Allan Poe in Explore the life and “Poe’s Last Night.” Find out why the famous writer would exhale nevermore. The show continues through Jan. 18.

“Poe’s Last Night” is at the Pittsburgh Playwrights Theatre 937 Liberty Ave, 3rd Floor, Pittsburgh. More information can be found at www.pghplaywrights.com

An Unreal Reality Show

Ever wonder what would happen if a reality show went really wrong? You can find out in “Dating Can Be Murder,” an interactive murder mystery dinner theater. Solve the crime over a plate of Italian food.

Bring your magnifying glass and deerstalker cap to Gaetano’s Restaurant 1617 Banksville Rd., Pittsburgh.

For more information call 412-343-6640

Medium at Large

There’s a celebrity from an actual reality show in town. Theresa Caputo, the Long Island Medium. See Theresa Caputo Live in “Theresa Caputo Live the Experience.” Sunday, Jan 12 at 3:00 p.m. Caputo claims she can talk to your relatives on the other side. Find out if she’s a fake or the real deal at the Benedum. Theresa will give interactive readings to audience members throughout the show and will also share personal stories about her life and her unique gifts.

Don’t worry. It’s not like you can drop by unexpectedly. She knows you’re coming!

You can catch the medium at the Benedum Center for the Performing Arts, 237 7^th Street, Pittsburgh, PA. For more information go here: www.trustarts.org/visit/facilities/benedum

The plural for Beer is Beer

Saturday, January 11, 2014, at the Monroeville Convention Center you can get your eat, drink and be merry for a good cause. It’s the first annual Pittsburgh Brew and Chew (A portion of all proceeds will go to the Greater Pittsburgh Community Food Bank and Give Kids The World).

The Brew and Chew promises to not be your ordinary beer fest. They are bringing together pours from dozens of America’s favorite craft beers, bites from some of our region’s favorite restaurants and food vendors, and even stations featuring everyone’s favorite beer-drinking activities!

Legendary Brooklyn Brewery brewmaster, Garrett Oliver will be there. He’s one of the foremost authorities in the world on the subject of beer, Oliver will bring more than 20 years of experience to show fest-goers how to create the perfect pair when matching food with beer.

We’ll be there, how about you?

For more information go here: http://goodtastepittsburgh.com/pittsburgh-brew-n-chew/

That’s a wrap, kiddies. See you back here next week for five more fun events around Pittsburgh.

January 3, 2014

Inaugural Pittsburgh Brew ’N Chew Brings Beer Flights and Big Bites to Monroeville Convention Center

PITTSBURGH, Pa. – There’s a new beer festival on tap for the greater Pittsburgh region, and this one’s got bite. As beerfest buzz continues to bubble across our great city, GoodTaste! Pittsburgh is giving its famed food-show reputation a new twist with the introduction of its first-ever Pittsburgh Brew ‘N Chew, sponsored in part by the Monroeville Convention Center.

The inaugural event, taking place January 11, 2014, at the Monroeville Convention Center, will offer attendees a selection of libations from brewers both big and small, alongside a wide range of food pairings from several local eateries. Not your ordinary beerfest, the Pittsburgh Brew ‘N Chew will also give attendees a chance to work up an appetite or enjoy the sweet taste of victory at a number of interactive stations. Whether it’s darts, pool, bowling or simply taking in the sights, sounds and smells while lounging at golf’s 19^th hole, attendees will have the opportunity to eat, drink and be merry throughout the day.

“The Pittsburgh Brew ‘N Chew is a new take on the modern beerfest,” said event organizer and President of GoodTaste! Pittsburgh, Dee Weinberg. “We’re taking an interactive approach by offering more than just beer and food. Visitors will be able to take part in games, learn tailgating tips and tricks and listen to live music from popular Pittsburgh bands. And, with a portion of the proceeds going to the Greater Pittsburgh Community Food Bank and Give Kids the World, visitors can feel good knowing that their participation is helping make a difference in the community.”

To learn more about the inaugural Brew ‘N Chew event, purchase tickets or find out how you can become a sponsor, please visit www.goodtastepittsburgh.com.

About GoodTaste! Pittsburgh

January 3, 2014

Save a snowball now and name your own price on June 21st at Carnegie Science Center

Visitors Can Choose the Amount They Wish To Pay on the Summer Solstice by Bringing in a Preserved Snowball

PITTSBURGH, Jan. 3, 2014 — Carnegie Science Center is offering a unique opportunity to capture a bit of this week’s snowfall now, preserve it for a few months, then bring it in—and celebrate the Summer Solstice with a special “Name Your Own Price” Day.

All visitors who make a snowball this winter, save it in their freezer, and bring it in on the first day of summer, Saturday, June 21, will be able to choose what they pay for general admission.

In addition to naming their own price, every person who brings a snowball to the Science Center will be able to launch it into the Ohio River (weather permitting).

In past years, hundreds of snowballs survived the winter and spring in freezers throughout the region and made their way to the Science Center—in coolers, freezer bags, frosty coffee cans, and plastic storage containers.

The Science Center invites visitors of all ages to start stockpiling snowballs now and remember these snowy facts:

Snow forms from tiny crystals in clouds. Snow is not frozen rain; that’s called sleet.
Most snowflakes melt before reaching the ground.
No two snowflakes are identical.
Each snowflake is made up of two to 200 separate crystals, on average.
Although it appears white, snow actually is transparent. Snow crystals act as prisms and break up the Sun’s light into the entire color spectrum. The human eye can’t handle that kind of sensory overload, so it is processed as white. If a region’s soil contains more iron,
giving it a reddish tinge, snow may appear pink—wind will blow dirt and dust into the atmosphere and clouds, where the snow crystals form initially.

About Carnegie Science Center

Carnegie Science Center is dedicated to inspiring learning and curiosity by connecting science and technology with everyday life. By making science both relevant and fun, the Science Center’s goal is to increase science literacy in the region and motivate young people to seek careers in science and technology. One of the four Carnegie Museums of Pittsburgh, the Science Center is Pittsburgh’s premier science exploration destination, reaching more than 700,000 people annually through its hands-on exhibits, camps, classes and off-site education programs.

About Carnegie Museums of Pittsburgh

Founded by Andrew Carnegie in 1895, Carnegie Museums of Pittsburgh is a collection of four distinctive museums dedicated to exploration through art and science: Carnegie Museum of Art, Carnegie Museum of Natural History, Carnegie Science Center, and the Andy Warhol Museum. Annually, the museums reach more than 1.2 million people through exhibitions, educational programs, outreach activities and special events.

CARNEGIE SCIENCE CENTER

One Allegheny Avenue | Pittsburgh, PA 15212 | 412.237.3400 | CarnegieScienceCenter.org

December 30, 2013August 12, 2019

The “Buzz” from Buzzelli – Top 5 To-Do’s THIS WEEKEND: 1/2-1/5

There’s always a lot do in Pittsburgh. Every week we pick five fun things for your weekend. Here’s the list for January 2 to 5.

Return of the King

The Pittsburgh Public is bringing back an old favorite, literally and figuratively. Tom Atkins reprises his role as the now-legendary Pittsburgh Steelers franchise owner, Art Rooney, Sr. It’s a tour de force with a scrimmage line. Watch Atkins chew the scenery and chomp on a cigar at the same time.

You can catch “The Chief” at the Pittsburgh Public Theater, O’Reilly Theater, 621 Penn Avenue, Downtown Pittsburgh, stating on January 2.

For more information, hit the Public at http://www.ppt.org/

All Woman

A woman’s role is in the comics. Head down to the ToonSeum and see over 70 pieces of original art by over 50 female artists. The art depicts a historical timeline of the history of women in comics, including landmark events in the quest for equality from 1986 to the present. The show opens on January 4.

You can find the ToonSeum at 945 Liberty Avenue, Downtown Pittsburgh, or go here: http://toonseum.org

History Repeating

In January there are only 12 days left to see the work of Yasumasa Morimura over at the Warhol Museum. Morimura replicates famous photographs and iconic images from art history and popular culture, with a slight twist; he replaces the subjects with his own image. See Morimura as Marilyn Monroe, Elizabeth Taylor and more!

Hit the town and take the bridge over to The Warhol Museum, 117 Sandusky, Pittsburgh. http://www.warhol.org/

Achtung, Baby

Saturday, January 4, you can head down to the Altar and worship the band, U2 with One: A Celebration of U2. It could prove to be the sweetest thing in town.

Altar Bar is 1620 Penn Avenue in the Strip.

http://www.thealtarbar.com/event/420925-one-celebration-u2-pittsburgh/

Model Afternoon

If you want to wander around the Remodeling Expo down at the David L. Lawrence Convention Center, be sure to check out the “Wine and Canvas Workshop,” where local artists instruct you with step-by-step process to recreate a featured painting. At the end of the event, you can take home that work of art and hang it on your wall!

http://www.homeshowcenter.com/Visitors/HomeShow.aspx?show=pittsburgh

And now a Sixth Thing…

A Lovely Way to Spend an Evening

Spend a night with Jethro and Kristy Nolen and their special guests Matt and Emma Hartman. They two couples won’t be serving meatloaf and playing gin, but yukking it up on stage playing outrageous improv games guaranteed to bust a gut.

You can have Dinner with the Nolens at the Arcade Comedy Theater, 811 Liberty Avenue, Downtown Pittsburgh.

http://arcadecomedytheater.com/event/dinner-with-the-nolens-2/

December 25, 2013

Post-Holiday Haze – are you WELL?

Greetings ‘Burgh Vivants! A very Merry Christmas from all of us here at BV.

For me, Christmas Day itself has always carried with it a strange energy. All of the big build-up; the songs, the cookies, the sales, lights and decorations running the gamut from elegant to garish – all of it a technicolor locomotive barreling unrelenting toward Ground Zero: Dec. 25th. And whether this day itself puts a roll in your eyes or a song in your heart, there comes with it a solemnity of knowing that its all over. Until, of course, the day after Halloween comes ’round once again, and the cycle begins anew; louder, faster, brighter. But there’s a stillness upon the summit, after the whirlwind incline of frantic shopping, card writing, and the joy, dread, or indifference of interacting with relations we may only see once a year. Somehow, you’ve worked. Whether you were the one preparing the Christmas dinner, or enduring it. Whether you were a Christmas Commando, charging headstrong through the season, little drummer boy at your side, holly in hand, and knitted sweater ablaze – or a benign “armchair enthusiast” with a more discreet capacity for “jolly,” simply caught up in the current, clinging to the one obligatory Christmas decoration you’ve put up as if it were driftwood upon the churning sea.

It all ends today.

And as we lay we down to sleep tonight, we begin to sulk into the odd twilight zone between Christmas and New Years. The lights and tinsel are still up, no longer sparkling with the promise of a Christmas Eve sizzling with anticipation, but rather serving a reminder that there’s a chore to be done in boxing them up. In many hubs of commerce, the familiar music still plays, forcing even the most dedicated elf to say quietly in the private chambers of the mind, “Enough, thank you.” Just as in a break-up that happened for all the right reasons, we’re ready to move on. But in the post holiday limbo, we’re still a bit lost. Business hours are anyone’s guess, and we’re timid to reach out to friends with suggestions of hitting the town for we assume that they too must be bearing the burden of the same limbo, but in a different shade. With Santa now enjoying a Corona, feet up, on a beach in Cancun, who can possibly entertain us?

Like a beacon in the night, or dare I say a reindeer with a red nose, our friends at Off The Wall Productions have supplied an excellent refuge.

Off The Wall is one of the only professional theatre companies in the city lacing up their boots and getting back to the trenches the very day after Christmas – and just for you. Dec. 26th, 27th, and 28th mark the closing weekend of its current production WELL, by Lisa Kron, directed by Melissa Hill Grande. In its inaugural year, ‘Burgh Vivant has been delighted to feature this dynamic, professional company. They’re small, but they’re mighty, having recently settled into a freshly-designed theatre in Carnegie, just minutes from downtown Pittsburgh. The productions and performers are consistently top-notch, and WELL is no exception, boasting a stellar cast of Daina Michelle Griffith, Virginia Wall Gruenert, Tony Bingham, Alan Bomar Jones, Linda Haston, and Susue McGregor-Laine. Nominated for a Tony Award in 2006, the play uses humor and inventive storytelling to depict the relationship between the playwright and her ailing mother.

As contributor Mike Buzzelli points out in the recent ‘Burgh Vivant review of WELL, though it’s not particularly a holiday-themed play, the challenges put forth by the skilled cast may very well be similar to those that we confront while willingly (or unwillingly) spending time with our family during the holiday season. At the risk of sounding crass, there may be no more deserved remedy on December 26th than to be entertained by someone else’s dysfunctional family.

So, rather than wallow in left over ham and fruitcake, get out there, relax, and take in a little culture. WELL is without a doubt one of your best bets in town for some post-holiday respite.

WATCH/LISTEN: ‘Burgh Vivant interview with OTW Artistic Director and leading actress in WELL, Virginia Wall Gruenert

-B.E.

December 23, 2013

Pgh Ballet Theatre to receive $1million in Commonwealth Economic Growth Funding

Funding to Advance Construction of New Building at PBT’s Strip District Campus

PITTSBURGH, PA – As part of Pennsylvania’s 2013 Economic Growth Initiative grants, Governor Tom Corbett announced today that Pittsburgh Ballet Theatre will receive $1 million to fund the construction of a new annex building at the company’s Strip District campus.

WATCH, LISTEN: ‘Burgh Vivant interview with PBT Artistic Director, Terrence Orr
The $1 million Economic Growth grant will bring PBT to 43% of its total $14 million goal for the PBT School Expansion Project, a four-phase plan to accommodate rising enrollment trends in the company’s official training institution. The grant will advance the fourth phase of the project this spring when PBT breaks ground at its recently-purchased adjoining lot – 2930 Liberty Ave. – to begin significant site improvements, including leveling and retaining projects, for the future footprint of the annex building. Under Phase IV, PBT will construct a 17,000 square foot building, which will house three new dance studios to expand PBT School’s four training divisions, grow community-based programs and generate at least 13 permanent artistic and administrative jobs. PBT has retained IKM Architects, which has developed a preliminary design for the $10 million Phase IV building project based on input from stakeholders.

With a total enrollment of 1,000 students across its Children’s, Student, Pre-Professional and Adult divisions, PBT School conducts classes six days a week at PBT Studios in the Strip District, which sees more than 2,000 weekly visits from employee, student and family commuters through the school and company. In the past five years, PBT School has increased Children’s Division enrollment by 92 percent while Student Division enrollment has grown by 53 percent in the past two years. Overall, the new building would allow PBT School to increase enrollment by nearly 60 percent to 1,590 students.

The Economic Growth Initiative program provides grants to local communities for the construction of regional economic, cultural, civic, recreational and historical improvement projects. PBT’s School Expansion project is among 58 projects state-wide to receive Commonwealth funding through the program. PBT has raised $6 million to date for the four-phase project, and will be matching the RACP award at a ratio of at least 4 to 1 through other funding sources.

“In addition to our full-time company dancers, a significant number of PBT School students from around the country and world move to Pittsburgh to take part in our training program. This new space will allow us to continue accepting and recruiting the next generation of professional dancers to Pittsburgh, and it will also help us to broaden our community programs to increase accessibility to the art form,” said PBT Executive Director Harris Ferris. “We see this surge in enrollment as promising not only for the future of Pittsburgh Ballet Theatre, but also as a positive trend for the city’s thriving cultural community. Our full-time artists and professional-track students not only make Pittsburgh their home, but they also bring hundreds of friends and family members to the city each year to contribute to the downtown and Strip District economies while visiting Pittsburgh Ballet Theatre.”

PBT launched its four-phase School Expansion Plan in 2009 with the opening of PBT School’s first student residence, Byham House, which houses up to 21 full-time Pre-Professional Division students and helps to draw aspiring young dancers to Pittsburgh each year. Phase I also included the installation of five new Harlequin floors in the PBT Studios to benefit the safety and health of PBT company and student dancers. In 2012, PBT completed Phase II by opening a renovated lobby with expanded family waiting areas and student study space to accommodate rising enrollment and the need for more public space in the building. Also in 2012, PBT purchased its neighboring lot at 2930 Liberty Avenue, increased its campus footprint to 60,000 square feet and constructed a new parking lot to improve traffic flow and reduce the need for families and students to cross traffic-heavy Liberty Avenue from PBT’s overflow parking lot. The new building will mark the fourth and final phase in the PBT School Expansion Project.

In addition to PBT School, the PBT’s Strip District Studios currently house five fully-equipped studios for PBT’s professional company of 29 full-time dancers – including eight international dancers – who live and work in Pittsburgh year-round. Throughout the season, PBT also hosts a number of community engagement events at the Studios for patrons, educators, community organizations and supporters.

PBT School’s 2013-2014 enrollment includes 61 out-of-state students and 14 international students, who have relocated to Pittsburgh to enroll in the full-time high school and graduate programs of PBT School’s Pre-Professional Division. In addition to the regular school year, PBT School brings 165 to 200 students to Pittsburgh each summer to participate in its five-week Intensive Summer Program, an immersive training program taught by PBT faculty and prominent guest artists.

About Pittsburgh Ballet Theatre

Pittsburgh Ballet Theatre is a community based and internationally recognized professional ballet company that performs traditional and contemporary ballets and develops innovative works. It seeks to perpetuate excellence in the art of ballet through performances, superior training of student dancers and community engagement initiatives. Pittsburgh Ballet Theatre’s 2013-2014 Season continues with Swan Lake with the Orchestra, Feb. 13-16 at the Benedum Center; 3×3, March 7-16, at the August Wilson Center; and Don Quixote with the Orchestra, April 11-13, at the Benedum Center. Tickets start at $25.75 and are available online at www.pbt.org, by calling 412-456-6666 or visiting the Box Office at Theater Square.

About Pittsburgh Ballet Theatre School
As the official training institution of Pittsburgh Ballet Theatre, Pittsburgh Ballet Theatre School is recognized as one of the nation’s finest schools for dance education and training. Under the leadership of Artistic Director Terrence S. Orr and School Directors Marjorie Grundvig and Dennis Marshall, PBT School offers classical ballet training and a diverse dance curriculum to more than 1,000 students of all ages, levels and degrees of interest taught by faculty and guest teachers of international acclaim. Strengthened by daily exposure to PBT’s professional company of dancers, PBT School provides dance training through Children’s, Student, Pre-Professional and Adult Open divisions.