by Claire DeMarco
Musicians Joe/Josephine (Matt Loehr) and buddy Jerry/Daphne (Tavis Kordell) witness a gangster-style murder in 1930’s Chicago. These musicians have two alternatives: contact the police about what they witnessed or run like hell. They choose the latter.
With high heels clicking, lipstick applied generously, dresses flowing and a flair for the dramatic, Joe (AKA Josephine) and Jerry (now Daphne) join a female orchestra led by band leader Sweet Sue (Tarra Conner Jones). They’re headed to California, hoping to escape detection.
Adjusting to this new world is not an easy task as they’re always on edge not to drop their cover.
Joe has always been a womanizer and even in disguise as Josephine he’s enchanted with singer Sugar (Leandra Ellis-Gaston). Joe’s personality as Josephine is to act, speak and react as a prim, churchly-type woman.
Adapting more easily to this environment, Daphne relishes his role as a female. He finds a strength and confidence in this new role that he didn’t have previously as Jerry. He’s more assertive and independent as Daphne than he ever was as Jerry.
When millionaire Osgood (Edward Juvier) enters the picture and meets Daphne, he is immediately smitten.
How will all the players resolve their issues and problems? Do the gangsters ever catch up with Joe and Jerry or will they be forced to live this dual life forever? Is Osgood still in the picture? Does Sugar still sing for Sweet Sue?
“Some Like it Hot” is a sizzling production showcased with hot dancing (and lots of tap), singing and acting by the entire cast.
Note: Based on the movie by the same name, this 2022 Tony Award winner inserts some modern references around gender identity and racism.
A phenomenal performance by Loehr. He easily transitions from an outgoing, in charge guy to a mild, religious woman, to a German. His comedic timing is impeccable, and dancing is on point.
Kordell sashays his way into our hearts as Daphne. He develops his character from the more reticent Jerry to the vivacious and outgoing Daphne. His comedy delivery, both physically and vocally is well done. Great singing of “You Coulda Knocked Me Over With a Feather”.
Ellis-Gaston captures the strength and talent of a singer who is determined to be successful in a time when obstacles often prohibited or slowed that growth. Her vocals on “A Darker Shade of Blue” and “Ride Out the Storm” are powerful.
Brash, loud and opinionated, Jones holds court as the in-charge band leader. She has some sharp comedic lines and great stage presence. Her rendition of “What Are You Thirsty For?” is powerful and opens the show with a big bang.
Juvier stands out as the likeable but naïve and bizarre rich man. He falls in love with Daphne at first sight and is determined to win her affection. Juvier’s comedic and dancing skills come to life as he prods Daphne to “Let’s Be Bad”.
“Some Like it Hot” Book by Matthew Lopez and Amber Ruffin. Music by Marc Shaiman and lyrics by Scott Wittman and Marc Shaiman.
Hats off to Costume Designer Gregg Barnes for exquisite costume designs.
Choreography by Casey Nicholaw was superb, heightened further by the excellent dancing ensemble.
Brilliant lighting design by Natasha Katz and Scenic Design by Scott Pask.
-CED
“Some Like It Hot” runs April 15th to April 20th at the Benedum Center for Performing Arts, 7th and Penn Avenue, Pittsburgh, PA 15222. For tickets and additional information, click here.
