'Burgh Vivant

February 25, 2014

Ben Opie composes for Jazz orchestra at the New Hazlett

For the past 30 years, local jazz musician and music educator Ben Opie has composed and performed original music in Pittsburgh. Now, see the completion of his largest, most ambitious creative effort to date—Concerto for Orkestra, a full concert-length symphonic composition for jazz orchestra.

“Duke Ellington composed many suites for his orchestra, and Charles Mingus composed what is perhaps the most ambitious of all jazz works, Epitaph,” Opie said. “However, I can think of no regional composers that have taken on a project quite like this one.”

Scored for 15 musicians and featuring ten movements, Concerto for Orkestra will be given its world premiere on May 2, 2014 at the New Hazlett Theater in Pittsburgh, performed by OPEK under the baton of conductor Nizan Liebovich.

“Early in the process of composing the work,” said Opie. “I recalled an odd compliment a friend had paid me once. He told me my playing had been so great, it was no longer music, it was transportation.”

Opie kept this comment in mind during the composition of Concerto for Orkestra, naming all but the opening and closing movements for modes of transportation such as “Fiat,” “Bumper Car,” “Dirigible,” and “Incline.”

The completion of Concerto for Orkestra was made possible by an Investing in Professional Artists: Creative Development Grant from The Pittsburgh Foundation. It premiers at the New Hazlett Theater this May. For information on tickets visit www.newhazletttheater.org.

February 25, 2014

Prime Stage Theatre Brings a “Trivial Comedy” to the Stage

The Importance of being Earnest hits the Stage at The New Hazlett Theater

PITTSBURGH – Prime Stage Theatre enjoys continuing its 2013-2014 season with The Importance of being Earnest by Oscar Wilde.

Directed by Rich Keitel, Earnest is “a trivial comedy for serious people” filled with actors who have successfully entertained audiences on many Pittsburgh stages. Two young men, played by Tom Driscoll and Andrew Swackhammer, in order to impress their two young ladies, played by Hayley Nielsen and Magan Dee Yanko, pretend that their names are “Ernest.” But who is Earnest? Will the secret that has been hidden for years finally be revealed? Will Lady Bracknell, played by Susan McGregor-Laine, keep order amidst this confusion?

The elaborate set designs and period costumes are sure to dazzle and the dialogue and antics of the characters will keep the audience laughing from start to finish.

The performance runs from Saturday, March 8 through Sunday, March 16 at The New Hazlett Theater, with a preview performance on Friday, March 7.

Join us on March 8 for opening night’s “Go Wild with Wilde” event. Dress up in your best Oscar Wilde inspired outfit, wear a carnation in your lapel, or simply wear a fun hat. Refreshments will be served.

Tickets are on sale now.

For more information on the season or to buy tickets, visit www.primestage.com.

February 23, 2014

The “Buzz” from Buzzelli – Pittsburgh’s Top To-Do’s THIS WEEKEND (2/27 – 3/2)

Every week we pick the Top Five things to do in Pittsburgh over the weekend. Here are the picks for Thursday Feb 27 through March 2.

Getting on Paul’s Case

Snooty leaves sooty. A young man flees Pittsburgh for New York City in “Paul’s Case.” Been there. Done that. Have the t-shirt. But this journey is set to music. Willa Cather’s short story “Paul’s Case” is now an opera. Tenor Daniel Curran plays Paul, a boy with champagne wishes on a beer budget.

“Paul’s Case” is at the Pittsburgh Opera, 2425 Liberty Avenue, Pittsburgh. Call 412-456-6666 or www.pittsburghopera.org

It’s Summer time!

Oh. I wish it was summer time! But you can hear the song, “Summer time” in the Broadway play that popularized the tune. “Porgy and Bess” returns to Pittsburgh. African-American life in Charleston, South Carolina is hard, but everyone is making beautiful music as they lament their troubles.

I love a Gershwin tune, How about you? “Porgy and Bess” is playing at the Benedum Center, 719 Liberty Avenue, Pittsburgh. For details, go to http://trustarts.culturaldistrict.org/production/37630/porgy-and-bess

The Beginning of Ending

Amanda has the talent to become a great composer, but her life gets sidetracked by the demands of an almost-famous fiancé, divorcing parents & a rent-paying job writing commercial jingles. “A Feminine Ending” has been called a gentle, bittersweet. “A Feminine Ending” is at Off the Wall Theater, 25 W. Main Street, Carnegie.

Call 724-873-3576 or click www.insideoffthewall.com.

Donnybrook

Just in time for the Oscars, you can go to Hello, Donny and sing along to your favorite soundtracks. There’s something for everyone in at the feel good sing-a-long, from “Titanic” to “Space Jam.”

You can sing “Hello Donny” at the Backstage Bar at Theater Square. Here’s the kicker, folks: the event is free (but it’s 21 and over).

Sing! Shout! Get down to the Backstage Bar, 655 Penn Avenue, Pittsburgh on Wednesday, February 26 at 9:30 pm. For more information click here: http://trustarts.culturaldistrict.org/event/3941/hello-donny-a-showtunes-sing-along

And then, head down to There Ultra Lounge, 931 Liberty Avenue, Pittsburgh for the After Party.

Truth and Beauty

True Story is back at the East End Book Exchange on Thursday, February 27 at 7:00 pm. Come see true stories told live without notes. This month’s theme is “arrested development,” and I’m sure there will be more than one banana stand joke.

Come out and see Andy Picarro, Brian Gray, Brian Broome, Kelly Dee, Todd Shaffer, Tim Sommers, Catherine Conley and Derek Minto. The event will be hosted by Mike Buzzelli (if that name sounds familiar I’d like to refer you to the large bulbous head at the top of this page).

The event is free but they accept donations and/or book purchases.

The East End Book Exchange is located at 4754 Liberty Avenue, Pittsburgh. For more about the East End Book Exchange, click here: http://www.eastendbookexchange.com/shop/eastend/splash.html

– MB.

February 23, 2014

Music On the Edge presents JACK Quartet at the Warhol

For the final installation of their 2013–14 collaboration, Music on the Edge and the Andy Warhol Museum will present the critically acclaimed and highly adventurous JACK Qaurtet. For JACK’s much-anticipated return to Pittsburgh, JACK Quartet will perform a concert featuring titans of contemporary music. The program includes John Zorn’s The Dead Man, Morton Feldman’s Structures, and string quartets by Witold Lutoslawski and Hans Abrahamsen.

Violinists Christopher Otto and Ari Streisfeld, violist John Pickford Richards, and cellist Kevin McFarland first met while attending the Eastman School of Music, and have been making music together ever since. In recent years, JACK Quartet has made a lasting impression on audiences and critics around the world. The Washington Post commented, “The string quartet may be a 250-year-old contraption, but young, brilliant groups like the JACK Quartet are keeping it thrillingly vital.” The Boston Globe described the group’s playing as “explosive virtuosity” and Mark Swed (Los Angeles Times) called their sold-out performances of Georg Friedrich Haas’ String Quartet No. 3 In iij. Noct. “mind-blowingly good.”

JACK Quartet is committed both to commissioning new works and playing some of the most challenging repertoire of the 20th Century. This passion for new music has led them to work closely with outstanding composers such as Helmut Lachenmann, György Kurtág, Matthias Pintscher, Amy Williams, Georg Friedrich Haas, James Dillon, Toshio Hosokawa, Wolfgang Rihm, Elliott Sharp, Beat Furrer, Caleb Burhans, and Aaron Cassidy.

Music on the Edge and The Andy Warhol Museum will present JACK Quartet at the Warhol’s Museum Theater on Saturday, March 1st at 8 p.m. Get your tickets in advance, because this show is sure to sell out!

Tickets are available through the University of Pittsburgh Stages Box Office, by calling 412-624-7529, or visiting music.pitt.edu/tickets. Tickets in advance: general admission is $15; students and seniors are $10. At the door: general admission is $20; students and seniors are $15. (No free student tickets at The Warhol).

February 21, 2014February 21, 2014

‘A bloody good time’ – Pittsburgh Playhouse Conservatory Company’s BLOODY BLOODY ANDREW JACKSON

production photos by Jeff Swensen.

Don’t know much about history? Alex Timbers and Michael Friedman give those dull, old American History books a Spring Awakening, adding sass and verve to those dry, dusty tomes. The result is “Bloody BloodyAndrew Jackson” a rock musical about Old Hickory, America’s seventh president, Andrew Jackson. Most people know Jackson from the twenty dollar bill, but the president has a sordid and blood-soaked biography, rife for theatrical adaptation. A musical might not be the first choice for a drama, but it’s a damn good one. This is a rock comic odyssey with the highest body count of any comedy that has ever gone before.

The musical alleges that Jackson puts the party in Democratic Party, putting the ass front in center as the party’s symbol. It’s a fractured fairy tale of an American president, peppered with some historical facts and pithy bon mots. Republicans and Democrats are equally skewered, and the show heaps on a large portion of liberal guilt. The near-genocide of the 500 Nations of Native Americans rests squarely on the broad shoulders of the seventh president (re: the Trail of Tears).

The story, hilariously narrated by the Storyteller (Caitlin Bower), starts off with Jackson’s rough and tumble upbringing as a frontiersman in the wilds of Tennessee, back before there was a 711 on every corner. Jackson endures a horrific series of deaths and strikes out on his own at the ripe old age of thirteen. He quickly rises through the ranks of the army. Famous battles flash by as if we’re watching Andrew Jackson’s E True Hollywood story. We hit all the high points, his famous battles, the introduction of Rachel Donelson Robards (a terrific Brittany Dorazio), his soon-to-be-wife, the adoption of his Native American child, Lyncoya (Dom Masciola), etc. The first act culminates in Jackson’s victory lap around the White House.

The show makes comical uses of anachronisms, and there’s a plethora of them. They even take a few swipes at the iPad, literally and figuratively.

“Bloody Bloody Andrew Jackson” is energetic and fun. The show is not for sticklers of the finer points of American History. It’s also not for prudes (those guys and gals swear like sailors on shore leave).

Reed Worth plays Andrew Jackson with rock star swagger. He captures the arrogance, the egotism and rare moments of vulnerability. There is a lot of action in this Jackson, and Worth plays it big and enthusiastically.

Michael Montgomery’s costumes are less than historically accurate, but wildly original and exciting. But it’s mostly about those tight blue jeans, daringly worn by Worth and the other the men and women in the cast.

There were some great turns by Martin Van Buren (Conner Gillooly) John Quincy Adams (Patrick Steven Bovo), Henry Clay (Luke Halferty), James Monroe (Wood Van Meter) and John Calhoun (Joe Godley), and a poignant moment with Black Fox (Tal Kroser).

The show has a fantastic ensemble of actors, singers and musicians and director Michael McKelvey garners some top-notch performances out of them. He and choreographer/assistant director Cassidy Adkins keep things (and the cast) moving. Luke Minx, John Rohlf, Kristen Hoover and the rest of the band rock the house.

If you’re looking for a show about sex, democracy and rock & roll (and who isn’t?) catch “Bloody Bloody Andrew Jackson.” It’s a bloody, bloody good time.

You can see the cock-eyed version of history unfold at the Conservatory Theater Company’s production of “Bloody Bloody Andrew Jackson” at the Rockwell Theatre, inside the Pittsburgh Playhouse, 222 Craft Avenue, Pittsburgh, PA 15213.

-MB

February 19, 2014

Pittsburgh Ballet Theatre to Present Pittsburgh Premiere of “Ketubah”

Pittsburgh Ballet Theatre and Jewish Community Centers to Present
Discussion Series Exploring the Heritage of the Ballet

PITTSBURGH, PA – As one of three featured works in its March mixed repertory performance, Pittsburgh Ballet Theatre will present the Pittsburgh premiere of Julia Adam’s “Ketubah” – inspired by traditional Jewish wedding rituals – March 7-16, at the August Wilson Center.

“Ketubah” is a critically acclaimed, lively, contemporary ballet inspired by the Eastern European Jewish Ashkenazi wedding ritual. Choreographer Julia Adam drew upon her own family roots when creating the piece for Houston Ballet in 2004. Set to Klezmer music, the performance follows one young couple from matchmaking to their wedding night. A vibrant ensemble of 16 dancers and evocative use of fabric depict and honor the mikvah, veil, chuppah, and other rituals and traditions that comprise a Jewish marriage celebration. The title, “Ketubah,” refers to the marriage contract signed by the bride and groom on their wedding day. Adam creates a hybrid movement vocabulary of ballet, modern and Israeli folk dance to set the customs in motion.

Leading up to its main-stage performance, Pittsburgh Ballet Theatre presents several opportunities to explore the inspiration and heritage behind the ballet:

· Ketubah Display
February 10 – March 16, 2014; American Jewish Museum of the Jewish Community Center of Greater Pittsburgh

Visitors can view the artistry and sentiment of the ballet’s namesake in five works from private collections.

· Pointe of View Salons
February 25, 2014, at 7 p.m. – JCC of Greater Pittsburgh Squirrel Hill
February 27, 2014, at 7 p.m. – JCC, South Hills

Explore the ballet, ketubah art and symbolism, and the cultural history of Jewish wedding traditions. Presenters: Rabbi Donni Aaron, a Jewish educator of JCC Pittsburgh; artist Judy Perlow; and Lisa Auel of PBT’s Education Department.

· OSHER Evening Lecture Series
March 4, 2014 at 7:30 p.m.; McConomy Auditorium, Carnegie Mellon University

An esteemed panel will discuss the ballet’s unique connections between the rich cultural heritage of ballet, of the ketubah as an artifact and art form, and of Jewish marriage customs. Panelists will include PBT Artistic Director Terrence S. Orr; choreographer Julia Adam; James A. Gibson, Senior Rabbi at Temple Sinai, and artist Judy Perlow. This event is presented in collaboration with CMU’s OSHER Life-long Learning Institute.

About 3×3 at the August Wilson Center
PBT pushes the boundaries of ballet in “3×3,” a mixed repertory program showcasing an unconventional exploration of ballet musicality and movement. In addition to “Ketubah,” the program features a PBT world premiere by choreographer Viktor Plotnikov and Dwight Rhoden’s jazz-inspired “Smoke ‘n Roses” set to the live vocals of Pittsburgh’s own Etta Cox. “3×3” takes the stage March 7-16, for two weekends at the August Wilson Center. Tickets start at $25.75, and can be purchased online at www.pbt.org, by calling 412-456-6666 or visiting the Box Office at Theater Square.

About Choreographer Julia Adam
Canadian-born Julia Adam received her early training in her hometown of Ottawa, Ontario, and at age thirteen began studies at the National Ballet School in Toronto, graduating in 1983. She spent the next five years honing her skills at the National Ballet of Canada. In 1988, Julia joined the San Francisco Ballet, where she finished the remainder of her dancing career, gaining prestige as a principal dancer known for her lyricism, musicality and broad theatrical range. After retiring from dancing in 2002, Adam was able to devote more time to her love and talent for choreography. She created her first ballet, The Medium is the Message, in 1993 for San Francisco Ballet’s Choreographic Workshop, drawing much attention for her uncanny wit and unique sense of movement. Since then she has created a number of works for companies, including Marin Ballet, The Bay Area Dance Series, Ballet Met, Alberta Ballet, San Francisco Ballet, Houston Ballet, Oregon Ballet Theater, Atlanta Ballet and Nashville Ballet among others.

February 17, 2014

The “Buzz” from Buzzelli: Pittsburgh’s Top To-Do’s THIS WEEKEND (2/20 – 2/23)

Die Laughing

Start your weekend on Wednesday for the “Race to the Coffin Comedy Tour” at the Smiling Moose. Join John Dick Winters, Jesse Irvin, Tim Ross, Shannon “Shambonez” Norman, Alex Stypula and John Pridmore for an evening of racy, raucous comedy. The evening is hosted by Derek Minto and all the tickets are only five dollars. Five dollars!

Race to the Race to the Coffin Comedy Tour! Doors open at the 9:30 at the Smiling Moose, 1306 E. Carson Street, Pittsburgh. For more information call 412-431-4668 or click www.smiling-moose.com

Ariba!

A sports commentator returns to her hometown of Pittsburgh to mourn the loss of a childhood friend in “The Great One.” During her visit, she reminisces about her life between the Pirates 1971 World Series win and the New Year’s Eve 1972, when Pirates right fielder Roberto Clemente died in a plane crash. It’s a tale of family, friendship and redemption. It’s also a one-woman show starring Tressa Glover.

You can reminisce about Roberto at the Pittsburgh Playwrights Theatre Company, 937 Liberty Avenue, Downtown Pittsburgh.

For more information go to www.pghplaywrights.com

Attack on the Opera

Go on the attack Sunday February 23 at “Histoire du Soldat,” when Attack Theater presents a series of special performances at The George R. White Studio, featuring “A Soldier’s Tale,” and
A Tiny Droplet of a Portrait.”

It’s an evening of collaborations when world class musicians combine for an unforgettable dance experience.

Now, write this down: Performances are Sunday, February 23, Wednesday February 26, Thursday February 27 and Saturday March 1. All performances begin at 7:30 at The George R. White Studio, Pittsburgh Opera, 2425 Liberty Avenue, in the Strip District.

For more information, click here: www.attacktheatre.com

Tramp!

Spend an evening with Charlie (the Tramp) Chaplin. Dan Kamin, who trained Robert Downey Jr. for his Oscar-nominated performance in “Chaplin,” invites you to experience the artistry of cinema’s greatest comedian from the inside. Kamin will be deconstructing Chaplin’s comedy with film clips, live demonstrations, audience participation, and a classic Chaplin short with live piano accompaniment by celebrated jazz pianist Tom Roberts.

Performances are Friday, February 21, 8:00 P.M. and Sunday, February 23, 2:00 pm at The Strand, 119 North Main Street, Zelienople, PA 16063.

For tickets and information call The Strand at (724) 473-0493 or click www.thestrandtheater.org

Mr. Brown Comes to Town

Culinary scientist (“Good Eats”) and game show host (“Iron Chef America”) Alton Brown comes to Pittsburgh. He’ll be serving up comedy, food experimentation and live music in this multimedia presentation. Be warned, there is an audience participation portion of the evening. You may end up cooking alongside this famous chef (wear the lab coat he offers you, things will get messy).

February 23, Alton Brown will be in town for this lively cooking/comedy/musical event at the Benedum, 703 Liberty Avenue, Downtown Pittsburgh. For more information call 412-456-6666 or visit www.trustarts.culturaldistrict.org/production/38876/alton-brown-live

– MB

February 14, 2014

Pittsburgh Playwrights’ THE GREAT ONE spotlights family, friendship, redemption

The Great One is a fascinating and inspirational play that will be at the Pittsburgh Playwrights Theatre, 937 Liberty Avenue, 3^rd floor, downtown from Friday, February 21 through Saturday, March 15.

Written by Russ Babines, The Great One is directed by Don DiGiulio.

Tressa Glover stars in this exciting one woman show about a sports commentator who returns to her hometown of Pittsburgh to mourn a childhood friend. She reminisces about the period of her life between the Pirates’ 1971 World Series win and the New Year’s Eve 1972 death of admired Pirates right fielder Roberto Clemente.

This is an unforgettable tale of not only America’s pastime, but also family, friendship, and redemption!

Babines wrote the screenplay because he felt it “would have broad appeal due to its family friendly nature and nostalgic elements which includes references to Roberto Clemente and the Pittsburgh Pirates.”

Now he’s rewritten The Great One for the stage – making this his debut as a playwright, saying it’s “another way to tell a story that is very relatable, especially to a Pittsburgh audience.”

Complete listing of show times –

Friday, February 21 “Opening Night” at 8:00 p.m.
Saturday, February 22 at 8:00 p.m.
Sunday, February 23 at 3:00 p.m.
Thursday, February 27 at 8:00 p.m.
Friday, February 28 at 8:00 p.m.
Saturday, March 1, at 8:00 p.m.
Sunday, March 2 at 3:00 p.m.
Thursday, March 6 at 8:00 p.m.
Friday, March 7 at 8:00 p.m.
Saturday, March 8 at 8:00 p.m.
Sunday, March 9 at 3:00 p.m.
Thursday, March 13 at 8:00 p.m.
Friday, March 14 at 8:00 p.m.
Saturday, March 15 at 8:00 p.m.

All tickets are $21. Seating is General Admission. Tickets may be purchased at the door or online at http://www.pghplaywrights.com/greatone. For group rates call 412-687-4686.

Pittsburgh Playwrights Theatre Company, founded by Mark Clayton Southers, is committed to developing and showcasing the works of local playwrights; from accomplished masters like August Wilson and George S. Kaufman to promising new talents. We seek to nurture a racially and culturally diverse community of playwrights, directors, actors and technical specialists to hone their craft and to network creative opportunities.

February 13, 2014February 13, 2014

“Undie Rock” – The Skivvies perform at City Theater

By ‘Burgh Vivant, Mike Buzzelli

Clothes might make the man, but clothes don’t make the band. This weekend, award-winning performers Lauren Molina (Sweeney Todd, Marry Me a Little) and Nick Cearley (All Shook Up) are in town to play instruments in their underwear in “The Skivvies” at the Lester Hamburg Theater, inside City Theater.

If you’re not careful, Cearley will show you his glockenspiel. The duo plays a variety of instruments. Cearley plays the aforementioned glockenspiel, the ukulele and the melodica, a blow organ (easy, now!). Molina plays the ukulele and the cello. Both do it with style and skill.

Mike Buzzelli, Lauren Molina, Nick Cearley, and Lonnie The Theatre Lady.

The plucky duo, a scantily clad “Will and Grace,” perform mash-ups of popular songs of several eras. Imagine your radio stuck on scan, but all performed with Molina and Cearley’s masterful, mellifluous voices. The musicians are accompanied by Shannon Ford on drums, beating on them with flair.

A few local guests sat in with the immodestly attired Molina and nearly naked Cearley. At Thursday’s performance Burgh Vivant caught Michael Campayno (Rolf from the recently televised “Sound of Music”), Hayley Nielsen (in Primestage’s upcoming “The Importance of Being Earnest”) and Bria Walker (last seen at the City Theater in “Pop”). All of them made brief appearances in their briefs. Other guests Courtney Balan, Joshua Elijah Reese, Hannah Shankman and Nancy Anderson will join the show for select performances (consult the website, if you want to gawk at a particular member of that group).

Neilsen was the first guest, playing a boozy medley of songs. Molina remarked, “There’s a lot of songs about alcohol.” In a few minutes, Neilsen and the Skivvies managed to mention almost all of them.

Walker strut her stuff, commanding the stage with a mash-up of dance songs. For the record, she brought it. The girl can sing! Emphasis on the exclamation point.

Campayno joined the undie rock show with a witty rendition of “Call me, Maybe,” serenading Cearley, while Molina fumed with jealousy (tongue planted firmly in cheek).

With their talent, your head will say “They don’t need the gimmick,” but other parts of your body will shout, “Everyone should perform this way!”

You still have three more chances to catch “The Skivvies,” Friday and Saturday at 8:00 pm with a special 10:30 performance on Saturday at the City Theater, 1300 Bingham Street, Pittsburgh from February 13, 2014 – February 15, 2014

For more information call or click: 412-431-2489 or www.citytheatrecompany.org

February 13, 2014

‘Burgh Vivant presents an Evening with Judy Knaiz

Pittsburgh, PA – On Sunday, March 16^th, ’Burgh Vivant will host a live, on-stage interview with actress and Pittsburgh native Judy Knaiz, who is perhaps best known for her role as Gussie Granger (aka Ernestina Simple) in the 1969 film musical Hello Dolly, directed by Gene Kelly, starring Barbara Streisand, Walter Matthau, Tommy Tune, and Michael Crawford. ’Burgh Vivant host Brian Edward will discuss with Ms. Kaniz topics including her career in film, stage, and television, working with such notables as Kelly and Streisand, the making of Hello Dolly, and her perspectives on Pittsburgh. Ms. Knaiz will also answer selected questions from fans.

The event is a homecoming of sorts for Knaiz, who began her career performing in musical comedies at the Pittsburgh Playhouse, now operated by Point Park University, whose George R. White Theatre will host the March 16^th interview and Hello Dolly film screening.

This special edition of ’Burgh Vivant will begin at 4:00pm on Sunday, March 16^th in the George R. White Theatre of Point Park University, 414 Wood St., Pittsburgh PA, followed immediately by a screening of Ms. Knaiz’s 1969 film Hello Dolly. Light refreshments will be provided. The event is free and open to the public. Reservations are encouraged. RSVP to its@burghvivant.org. Interview questions for Ms. Knaiz may be submitted by Friday, March 14th via email to its@burghvivant.org. This event is produced in cooperation with The John P. Harris Society of Point Park University.

’Burgh Vivant is an online talk magazine dedicated to examining Pittsburgh’s unique arts and culture community through candid interviews with local artists, performers, entrepreneurs, and newsmakers. ’Burgh Vivant hosts a featured guest weekly, supplemented with reviews and features in the categories of Art, Culture, Dance, Film, Food, Music, Style, and Theatre. Viewers may subscribe for free at www.burghvivant.org and follow on Twitter and Facebook.